1985

* = winner

BEST MOVIE:

After Hours

Back to the Future

The Breakfast Club

Police Story*

To Live and Die in L.A.


BEST DIRECTOR:

Jackie Chan, Police Story

Elem Klimov, Come and See

William Friedkin, To Live and Die in L.A.*

Martin Scorsese, After Hours

Robert Zemeckis, Back to the Future


BEST MALE PERFORMANCE:

Jackie Chan, Police Story*

Harrison Ford, Witness

William Hurt, Kiss of the Spider Woman

Raul Julia, Kiss of the Spider Woman

Aleksey Kravchenko, Come and See


BEST FEMALE PERFORMANCE:

Rosanna Arquette, After Hours

Sandrine Bonnaire, Vagabond

Whoopi Goldberg, The Color Purple

Joyce Hyser, Just One of the Guys

Grazyna Szapolowska, No End*


BEST SCREENPLAY:

After Hours*

Back to the Future

The Breakfast Club

Clue

Tampopo


BEST CINEMATOGRAPHY:

After Hours

Come and See

Flesh + Blood

Mishima: A Life in Four Chapters

Ran*


BEST EDITING:

After Hours

Back to the Future

Police Story*

Re-Animator

To Live and Die in L.A.


BEST MUSIC:

Back to the Future

The Breakfast Club

Flesh + Blood

Mishima: A Life in Four Chapters*

Silverado


BEST SONG:

"Don't You (Forget About Me)" from The Breakfast Club*

"Hero Story" from Police Story

"Into the Groove" from Desperately Seeking Susan

"St. Elmo's Fire (Man in Motion)" from St. Elmo's Fire

"To Live and Die in L.A." from To Live and Die in L.A.


BEST PRODUCTION:

Back to the Future*

Brazil

Legend

Mad Max Beyond Thunderdome

Ran


BEST STUNTS:

Commando

Mad Max Beyond Thunderdome

Police Story*

Rambo: First Blood Part II

Yes, Madam!


BEST CAST:

Back to the Future

The Breakfast Club

Clue*

The Goonies

A Room with a View


BEST COLLABORATION:

Rosanna Arquette and Madonna, Desperately Seeking Susan*

Albert Brooks and Julie Hagerty, Lost in America

John Cusack and Daphne Zuniga, The Sure Thing

Sally Field and James Garner, Murphy’s Romance

William Hurt and Raul Julia, Kiss of the Spider Woman


BEST ARTIST:

Jackie Chan, Police Story

Terry Gilliam, Brazil

Jean-Luc Godard, Hail Mary

Lasse Hallström, My Life as a Dog

Elem Klimov, Come and See*

2 comments:

  1. I am glad we're on the same page for editing. Peter Cheung's editing in Police Story can be described at best as.... poetic. The mall sequence alone should be studied in how to edit action. I love that film.

    ReplyDelete